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赖特1940年的原创小说讲述了一个贫穷的20岁的芝加哥黑人别格·托马斯为富有的白人道尔顿家族做司机的故事。当托马斯无意中对一名家庭成员实施暴力行为时，他进行了精心策划的掩盖计划，从而引发了更多的犯罪。赖特在整部小说中强调，社会的建立是为了让托马斯成为什么样的人。不必急着行礼，先躺下休息。"作为一名CSI，我们总在人们最低谷的时候与他们相会。‘节哀顺变’，这句我们被要求对他们所说的套话，其实并没能带去多少安慰。”点赞就是给我们吃饭The code for creating the object is encapsulated and the specific factory class is instantiated, thus achieving the purpose of encapsulation and instantiation. Encapsulating the code that creates the object in one place can also achieve the purpose of reuse and is more convenient for later maintenance. This also means that when the customer instantiates the object, he will only rely on the interface and not on the specific implementation. Help us to better achieve interface programming rather than implementation, making the code more flexible to cope with future extensions.汉尼拔（加斯帕德·尤利尔）的童年之初充满明媚与温馨，可爱的妹妹就像他的小尾巴，是他最爱的亲人。然而战争带走了一切，他的父亲、母亲还有他的家园。可是这仅仅是噩梦的开始，真正的毁了他一生的是妹妹的死——残忍的德军，吃了他的妹妹。 　　妹妹的死成了汉尼拔永远的梦魇，妹妹的脸庞和声音常常在他的梦里出现。汉尼拔决定去寻找他最后的亲人，叔叔的妻子，他的婶婶，一个神秘的东方女人，紫夫人（巩俐）。紫夫人教会了汉尼拔搏击的技术，也让他见识到东方世界生吃文化的精髓。汉尼拔似乎找到了走出童年阴影的出口，他开始杀人，吃人，在血腥中得到灵魂的暂时安宁。杀害妹妹的仇人，一个接一个凄惨的死去。汉尼拔和紫夫人之间也渐渐产生若有若无的情愫，可是此时，灵魂深陷泥藻的少年汉尼拔还留下什么来爱呢？Swift is good at irony. He sympathized with the Irish people's struggle for national independence and wrote a large number of political papers criticizing the British colonial policy, of which "a moderate proposal" is the most famous. This article is perhaps the most tearful satire in the history of English literature. In the tone of a national adviser, the author suggested that the British authorities should eat the babies that the Irish people cannot support, and calculated an economic account for the government, showing that this can save a lot of expenses. He also introduced how to cook babies, how to taste delicious and how to be more nutritious, which broke people's hearts. The author would like to take this opportunity to point out that the British colonial policy is simply eating the meat of the Irish people. This can also be regarded as early black humor.