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There was an analogy before, Each "chain" is a "checkpoint", Every message passing through this "level" must match the rules on this level. If there is a match, The message is processed correspondingly, For example, you and I are like two "messages" at the moment. Both of you and I are going to enter the customs at this moment. But the duke has a life, Only the imposing person can enter the customs, Those who do not meet this requirement are not allowed to enter the customs. So the soldiers guarding the customs followed the "rules" formulated by the duke. I began to look at you and me. In the end, you entered the customs smoothly, and I was rejected. Because you met the standard of "dignity", you were "released", while I did not meet the standard, so I was not released. In fact, "dignity" is a kind of "matching condition", "release" is a kind of "action", and "matching condition" and "action" form the rules.　传统豫剧《三哭殿》是一出久演不衰、唱段广为流传、在群众中很有影响力的唐（喜成）派名剧。将它搬上银幕，不仅满足了当代广大群众的文化需求，而且，对于传承豫剧唐派艺术、保留非物质文化遗产，有着不可低估的历史意义。现在启明上的两大主题，一是讨论《白发魔女传》，二就是嘲笑《第一次亲密接触》。Gidseltagningen, created by Kasper Barfoed (Summer Of ’92) based on an idea by Adam Price (Borgen) and Søren Sveistrup (The Killing), portrays the hijacking of a Copenhagen subway carriage where three armed terrorists kidnap the fifteen passengers on board. 　　The series then follows a protracted hostage situation over eight days where the government refuses to pay the ransom, and how the ensuing media coverage shapes events. Johannes Lassen takes the lead as former soldier Philip Nørgaard who heads the Terror Task Force, and Paprika Steen plays news anchor Naja Toft.