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We can see the above code. The code for creating div is very similar to the code for creating iframe. We can now consider separating the common code to make the code completely abstract. We can now write a set of code that is encapsulated in the getInstance function, as follows:
一定要抓到盗猎者！巡山队长日泰下了死命令，巡山队连夜紧急出发，闯进了正在流血的可可西里。但是盗猎者如同鬼影般忽然消失在稀薄的空气中，留下的只是成百上千具剥去皮毛的藏羚羊尸骨……
胡宗宪拍案怒道，我清楚你要说什么。
山崎贤人主演《致命的接吻》的平行世界剧集《致命平行》。
因接吻而死，穿越回7天前获得重生，但另外一个世界的时间仍前进着。
描写主人公旺太郎的“死后故事”的《致命平行》。
在旺太郎的遗体仍存在的“恐怖现实世界”中
展现的令人发寒的人类面孔和不断重复的死亡结局…
由此引出新的本篇的关键之谜。
令人内心骚动的“另一个故事”终于开幕。
Action: Slap the face.
…君上无奈点点头，叹道：矢王被项羽封为西魏王，改到了平、阳，这大粱故地还真有些舍不得啊。
当一个人在寻找他需要的东西时，却在他回家的时候发现了它。
Modules in Node.js run as singletons after loading and follow the principle of value passing: if it is an object, it is equivalent to a reference to this object.
DDoS attacks target the TCP/IP infrastructure in the network. These attacks can be divided into three types: one is to exploit a known flaw in the TCP/IP stack
本来就已经担惊受怕的咸阳百姓，在极其不情愿的情况下，被强迫上城头防守。
FIBA has a 40-minute match and a 10-minute halftime break. NBA game lasts 48 minutes and halftime lasts 15 minutes.
现在看来，两位军官也都很自己一样，是很谦让的人，大家手拉手退后八丈远，同样深（tan）明（sheng）大（pa）义（si），相当志（chou）同（wei）道（xiang）合（tou）。
几年过去了，海燕海君已经成了十一二岁的中学生，出落得亭亭玉立，能歌善舞，是学校里的两枝花，而金花一天到晚推车买鱼丸，辛苦操持家务，海燕根据童年的懵懂印象，认为是妈妈逼走了父亲，所以处处和母亲作对，反而是海君体谅母亲，给母亲帮助。
"When the two mountains were fighting, I have fought many battles, However, the most impressive one was the battle to defend position 149 during the July 12 War. I thought that the war was between people and people. I didn't expect to fight with animals here, not only animals, but also flying in the sky and drilling in the soil. If it weren't for the use of new shells to support us later, the position would have been lost. "
If the wolf's King Jin does not let go, it will really be useless. It is expensive and difficult to use. Its cost performance is not as good as that of kites and far less than that of dragons.
讲述“如果科技可以帮你拥有‘来生’”：在2033年，科技可以在人死去之时，把其意识和记忆上传到一个数字虚拟世界，也就是你可以在里面永远地“活着”，甚至能通过VR技术与真实人类社会的人接触。
《三哭殿》这部影片的摄制宗旨是尊重传统、传承传统，在尽可能保留原汁原味的前提下发展创新。因此，该剧版本虽多，但电影剧本以当年唐喜成先生演出本为基础，仅作了些电影时空的处理与调整。在唱腔方面，尽可能小改小动。为了保证这一意图的体现，我们特请当年该剧舞台导演、秦英的扮演者谢巧官出山担任副导演。与此同时，又将影片全部场景放在横店影视城的实景拍摄，在戏曲与电影两种不同的艺术形式之间，以戏曲为本，避实就虚、虚实结合，通过真实的皇宫庭院，丰富了影片的造型元素，给人以赏心悦目之感。
我等在边关用性命拼杀，退却强敌，蒙皇上召见，来到京城，却被这一事无成的纨绔废物嘲笑穷酸，只怕皇上听了此话也觉颜面无光。
