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On that day, the sun, a symbol of light, had already climbed into mid-air and shone on the whole Chinese land with his brilliance. As representatives of Guangzhou University's rural activities, we are all full of passion. With the help of the car, we soon arrived at Yayao Town. There, we enthusiastically carried out social investigation, electrical appliance maintenance and other socialist practical activities with the knowledge we have learned. With the assistance of relevant local departments, the publicity work of this practice has been relatively perfect. The crowd was very excited. All of them happily took the bad electrical appliances in their homes to our service points and cooperated with our activities attentively.南宋时，在罗丞相府内做木匠的张煜 ，得知罗公子斗蟋蟀赢了许多银子， 好奇地去偷看罗公子的那只蟋蟀。不料刚揭开盆盖，蟋蟀就逃掉了。罗公子大怒，打了张煜一顿，还要他三天之内赔偿蟋蟀，否则就要他的命。张煜走投无路，被迫投河自杀，恰巧被济公救起。济公佛法无边，他知道张煜口袋里还剩三文钱，拿去买了一只半死的蟋蟀，便去找罗公子，扬言他的蟋蟀能斗大公鸡。罗公子就命家丁抱来一只大公鸡与他打赌，结果小...想胡二少爷和胡三少爷当日并非有意欺负令妹，不过是一场误会罢了。葫芦又从家里提了两只活鸡来，帮着宰杀，旁边放了一只碗，里面有小半碗清水，这是用来接鸡血的。该剧目标鲜明的将视角锁定在都市时尚家庭中。一个外人眼中完美的时尚家庭背后，其实埋伏着许多的情感矛盾，父母间看似成熟的婚姻，实际面临着张国立在《手机》一片中表现的“审美疲劳”。这对每一对婚姻来说都是一道“坎儿”，能否顺利地迈过去，是对婚姻的巨大考验。当这种“审美疲劳”又遭遇到正值青春期儿女的懵懂的恋情时，充满矛盾的人物关系就在“家庭”这个小小的舞台上展开了Bridging mode aims to decouple abstraction and implementation so that the two can change independently. That is to say, the bridging mode further abstracts the implementation details of the original base class into an implemented structure, and then transforms the original base class into an abstract hierarchical structure, thus realizing independent changes of the system in multiple dimensions. The structure diagram of the bridging mode is shown below.Then I just need to write an IMG tag in one of my blog posts: